Monday 22 January 2018

Applying Lacan's Theory

Good Will Hunting (1997) 

In order to apply Lacan's Mirror Stage to a film, I am choosing to analyse a scene from the film 'Good Will Hunting'. This scene explores the macho attributes of Will (Matt Damon) and the parental perception of Sean (Robin Williams). In the beginning of the scene, Will hunting - the protagonist, enters an already tense environment, providing some form of premonition that Will's mind is on the verge of snapping. As the scene progresses, the space between each moment of speech is filled with the diegetic sound of the rustling of papers, and the footsteps of the characters; the use of purely diegetic sound creates a more intimate setting as the conversation shifts to an intense moment. Will's counsellor, Sean (Robin Williams), finds out that Will suffered severe physical abuse as a child,  and this is the reason for his detachment from society and his feelings; the past trauma has caused will to develop a lack of trust and commitment. As Sean reveals the story of his abusive, alcoholic father, a close-up of Will's face and eyes shows how familiar he is with his experience. Will explains if his 'fear of abandonment' is the reason for his breakup with his girlfriend and lets out a nervous laugh, displaying that he tries to subdue his feelings anyway possible, whether it be humour or violence.  Sean himself states that Will's 'tough guy' facade is just because he is scared. When asked to talk about his feelings, Will hastily replies 'no', however the prolonged mid-shot focusing on Will displays his body language clearly; the fact that his smile fades and that he is hunched over, avoiding eye contact, highlights that it is a subject that affects him directly. Will longs for support and effectively a 'shoulder to cry on', but what he lacks is the ability to open up to someone for fear of seeming vulnerable - hence the recurring confrontations, and the only way he believes he will fix this is by trying to impress everybody. Interestingly, the conversation is shown using only over-the-shoulder shots, providing a greater sense of personal relation between the two, but also a sense of integrating the audience into the perspective of each character with each cut. The defining moment of this scene arises when the emotion is Sean's voice becomes clear and apparent, as he begins repeating 'it's not your fault' to Will, in an effort to break down his walls and get the reaction he desires. Will intentionally avoids the true meaning of these words by simply shrugging off the statement by replying with a brief 'i know'; again, Will resorts to confrontation as a coping mechanism, as he stands up to tower over Sean, to attempt to gain some sort of authority in the scene. Despite this, Sean presses on, repeating the phrase, as Will begins to break down, he retorts with a shoving Sean accompanied with 'don't fuck with me Sean', showing a brief moment of aggression and vulgarity - which clearly reveals that in all his life he has only ever learned to deal with his emotions in this manner and that he lacks the ability to confront himself and his feelings. Will accepts Sean's words as truth, and begins to cry hysterically, as he finally allows someone to show him the love he was refused during his childhood, it is in this moment that Will finally has fulfilled his lack, and his desire for someone to care; this is shown by the strong embrace, that emphasises the strength of Will's pain, and how much Sean has become a father figure to Will.


















Planning for Mulvey Film

Brief Synopsis:
Follows a girl working out at the gym throughout the week, who is sexualised and objectified by those at the gym and her personal trainer. There is also a 'stalker' who is seen at numerous points throughout the film who pays closer attention to her is seen taking photos videos of her.

Equipment

Camera
SD Card
Tripod
Spare battery
GoPro
Micro SD
Props: Gym clothing (sports bra / running shoes / shorts)
            Gym equipment (dumbbells / weight machines)

Script

Kieran:

Motivation and encouragement for AJ during workouts throughout the video; 
     e.g. "keep going", "nearly finished", "just two more reps"

AJ:

The final scene of the film;
     "How does that look?" / "Was that shot ok?" / "Is that all the recording done?"

Ben / AJ:

During the scene where to two meet when going to grab weights;
     Ben: "oh sorry did you want these weights?"
     AJ: "no don't worry you use them"
     Ben: "honesty don't worry about it, after you"
     AJ: "oh alright then, thanks"



Mulvey Film - Health and Safety

Equipment: Camera and recording equipment needs to be kept in a place out of the way to avoid people tripping over them and damaging the equipment.

Dropping Weights: Be careful when handling free weights as there is a potential to drop them, which could result in injury. This can be avoided by avoiding weights that are difficult to lift.

Correct Form: When exercising, make sure that you are doing so with the correct form, to avoid injury and muscle strain. Stretching is also important to ensure you don't pull any muscles during exercise. (We have researched exercise forms to ensure we are doing it correctly).

Spotting (Helping lifting weights): The spot is there to support whomever is exercising, and help them lift heavier weights. If the person is struggling with the weight the spot will help and make sure they are don't drop the weight.

Gym Machines: Be respectful of the machinery and equipment of the gym and use them properly. This is to make sure that the equipment isn't misused and broken, and also to avoid the user getting hurt.

Awareness: Be aware of other gym users that may not want to be in the shot, and be careful not to intrude as they will be wanting to exercise and work out, we need to work around that.